I remember, back in 2018, attending a conversation between Robyn Maynard and Leanne Betasamosake Simpson at La Sala Rossa. That afternoon felt like a special encounter between two of the foremost thinkers in so-called Canada, and it seemed a shame to relegate it to a couple of hours. I’m glad that their conversation continued beyond that afternoon, and I am so grateful to have it available to us all. 

A reprint of an elliptical, multilingual, polyphonic masterpiece. We have so little left to us by Theresa Hak Kyung Cha—a too-short life—and yet we have so much.

O’Neill’s latest novel conjoins a mythic Montréal with a scrape-knee, headlong, at-times-too-actual Montréal. This is a city animated by its self-contradictions — in When We Lost Our Heads, the city is presenced by two characters whose efforts to disentangle from one another only serve to narrow the knot.

At this point, I know to trust DeForge. He does not miss! Through DeForge we can despair and delight at the strange shapes of our imagined futures.

A mesmeric work of speculative, Afrofuturist fiction which enfolds ancestral knowledge and lyric apperception not merely as narrative techniques, but as mappings for ways forward. Delaney was awarded the Concordia First Book Prize for this novella – well deserved recognition for a thoroughly impressive new talent. I’m looking forward to whatever’s next.

Brand is arguably the most accomplished poet at work in so-called Canada, and this collection—spanning nearly four decades—not only collects a towering body of work, but demonstrates a thinker and maker who refuses to stay put.

It took me some time to acclimatize to Belcourt’s project, but once I was in I was in. In my opinion, the highest achievement of A Minor Chorus is its quality of attention: to histories vast and narrow, to one’s selves, to the languages which occur within and between bodies.

To mark its 25th anniversary, W.W. Norton has issued a new edition of Saidiya Hartman’s work of acute and dislodging scholarship. An indispensable book; a welcome reissue.

Is it an unanswerable question? I admire O’Neill’s method: each of the interviewees’ particular sensibility is given care and close attention such that each of these twelve interviews become a singular ecosystem of thought-in-image.

A book which takes very seriously the relationship between language and mind and the world(s) in which those substances busy themselves. A book about the biology of melody and the examination of insight.

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I recommend these books, too!

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